"L’intelligence de la main / Les Lauréats" Association
Intersecting views from three Liliane Bettencourt Prize winners for the intelligence of fine handicraft. Since time immemorial, the decorative arts and fine handicrafts have been inextricably linked, giving shape to interior designers’ and decorators’ ideas, or stimulating their imaginations with their creations. In 2022, more than ever, ceramicists, cabinetmakers, engravers, joiners or bronze makers will bring decorative settings into being and will take them to an ever-more-subtle level of refinement, not hesitating to sometimes mix manual traditions with new technologies…
Fanny BoucherRotogravure Printer
Steven LeprizéCabinetmaker, Inventor & Founder - ARCA
Nicolas PinonLacquerer – Decorator
Danièle GerkensJournalist
Rotogravure Printer
A graduate of the Ecole Estienne in Paris, Fanny Boucher is a Master of the French art of rotogravure printing. She specializes in this 19th-century process, which has become extremely rare, combining silver-plate photography with copperplate engraving, offering exceptional prints for museums, galleries and art publishers. In the year 2000, she founded Atelier Hélio’g, which she opened up to photographers, painters and illustrators. These have included Willy Ronis, Zao Wouki, JR, Gérard Garouste, Jean-Michel Othoniel, and Annette Messager, among others. Fanny Boucher made sure that the Ministry of Culture as part of the Immaterial Cultural Heritage of France recognized rotogravure printing, since it had disappeared from the French cultural landscape in previous decades. She has been teaching on a regular basis at the INP (Institut National du Patrimoine) since 2005. In 2015, the Ministry of Culture awarded her the title of Master of Art. She participated in the Wonder Lab exhibition dedicated to French Masters of Art, organized by Heart&Crafts at the National Museum of Tokyo in Japan in 2017, then at the National Museum of China in Beijing in 2019. In 2020, she received the Liliane Bettencourt Prize for the intelligence of fine handcraft, in the “Exceptional Talents” category. With the support of the Bettencourt Foundation, she set out on a new development project designed to open up rotogravure printing to the design and interior design fields.
Cabinetmaker, Inventor & Founder - ARCA
The grandson of a carpenter and the son of an agricultural mechanic, Steven Leprizé grew up surrounded by craftsmanship. He spent his childhood in his father's workshop museum, at the sawmill, with his scientist-biologist great-uncle, and in his mother’s restaurant. His relationship with materials and engineering became second nature. Steven trained as a cabinetmaker, including at the École Boulle in Paris, graduating top of his class in 2008. He began his professional career as a cabinetmaker in Paris, where he also started to create new aesthetics and develop innovative materials. Inspired by movement, surrealist art, traditional craftsmanship, and scientific innovation, he sought to bring his unique vision to life. In 2009, Steven founded ARCA (Atelier de Recherche et Création en Ameublement), a workshop specializing in cabinetry and the development of innovative wood derivatives. These include flexible marquetry, thermoformable wood, and wood-metal hybrids developed in collaboration with scientists during research projects. Among his creations is Bois Larmé, featured in Hermès' KellyWood bag.
Lacquerer – Decorator
After obtaining his diploma in cabinet making from the Ecole Boulle in 2001, he devoted himself to traditional and contemporary finishing techniques. During a conference, he discovers Japanese lacquer and begins to be fascinated by this exceptional technique known in Japan under the name of “urushi”. Nicolas Pinon decided to go to Barcelona in 2003, to the EPSAR (Escuela Profesional Superior de Arte y Restauración), to learn the techniques of this material. Upon his return to Paris, he joined the Brugier workshop, where for three years he perfected his restoration skills and made decorations for sites all over the world. To perfect his knowledge, he decided to go to Japan where, during his first trip in 2006, he met the great master lacquerer Nagatoshi Onishi, a former professor at the University of Fine Arts in Tokyo. During his numerous stays with this master as an apprentice, he learned the ancestral technique of kanshitsu, which has been using canvas, clay and lacquer for more than a thousand years to make the structure of statues for temples. In 2008, he became a freelance lacquerer and decorator and has collaborated on numerous projects, notably with Jacques Garcia and Joseph Karam. Since 2013, he devotes himself exclusively to Japanese lacquer and shares his activity between restoration and creation of jewelry or furniture. Today, while working on lacquer according to traditional techniques, he carries out research, using new technologies. He is currently working on flexible supports in 3D printing and laser engraving of lacquer.
Journalist
Editor-in-chief of ELLE Décoration, ELLE à table and Art & Décoration, Danièle Gerkens has a degree in Economics and in the History of Art and Religions. Born and raised in Africa, she has worked as a journalist for ELLE magazine after various experiences: copywriter at Publicis, consultant at UNESCO, cook at l'Arpège with Alain Passard... She is also the author of several books including "Zero Sugar", an investigation published by Les Arènes.